Curation | Distant View of the Blue, Metropolitan Art Atelier at Art on Paper Fair

New York Art on Paper Fair Booth A07, Manhattan, NY, USA

September 5 – 8, 2024

From September 5 to 8, 2024, the Art on Paper Fair at Manhattan's Pier 36 once again became a hub of creative energy, attracting art enthusiasts and collectors from around the world. Held during New York’s Armory Art Week, this annual fair is celebrated for its focus on contemporary works that explore the boundless potential of paper as a medium. With over 100 galleries participating, the fair presents a vibrant and cutting-edge snapshot of today’s art scene.

This year, the Metropolitan Art Atelier, in collaboration with Asian Art Contemporary, presented the thoughtfully curated exhibition Distant View of the Blue by New York-based curator Webson Ji. Featuring works by 11 talented artists—including Yi Wu, Sha Lin, Zhen Guo, In Kyoung Chun, Yukiko Nakashima, Guoqiang Liang, Min Park, Isaiah Rivera, Weiling Pan, Kang Xu, and Xue'er Gao—the exhibition underscored a commitment to amplifying the voices of Asian artists within the international art community.

The exhibition’s conceptual framework was inspired by the experience of looking across the New York harbor, past the city’s concrete and steel skyline, toward a faint blue on the horizon. The ambiguity of this distant view—whether it represents mountains, oceans, or memories of a faraway home—serves as a poignant metaphor for the artists’ explorations of identity, displacement, and self-recognition within the Asian diaspora.

Yi Wu, born in 1934 into a distinguished overseas Chinese family, stands out among the featured artists. As a respected figure in the Nanjing Painting Academy and a trailblazer in Chinese painting, Wu’s work embodies a profound blend of tradition and innovation. His piece Wonder of Kunlun marries decades of ink painting mastery with his groundbreaking concept of “image thinking,” offering viewers a glimpse into his artistic evolution. Meanwhile, Zhen Guo, a pioneering female artist who moved to New York in 1988, showcased her work that reflects her longstanding contributions to the contemporary art landscape, blending personal narrative with broader cultural dialogues.

Sha Lin, an artist whose journey spans from Taiwan to Europe and finally to New York, drew from the philosophy of the I Ching and the five elements of traditional Chinese medicine in his mixed-media masterpiece The Harmony of Yin and Yang. His works resonate with a contemplative depth, inviting viewers to reflect on harmony and duality. Yukiko Nakashima, a Japanese artist born in Hiroshima and raised in the United States, captures suppressed emotions, anxiety, and trauma through her Phonetic Marks series—an exploration of the unspoken and the unspeakable, conveyed through abstract calligraphic forms.

In Kyoung Chun, a Korean artist now based in Atlanta, explores themes of isolation and resilience in her works House with Two Drawings and House with a Table and a Clock. Her art transforms everyday objects into symbols of sanctuary, encapsulating her immigrant experience. Guoqiang Liang’s mastery of traditional Chinese techniques is matched by his bold reinterpretation of contemporary ink art, blending age-old craftsmanship with modern sensibilities.

Emerging voices also found their platform in this exhibition, with artists like Weiling Pan, Min Park, and Xue'er Gao adding fresh perspectives. Pan, the youngest artist in the exhibition, captured the attention of many with her miniature dioramas that blend illustration and installation, creating intimate spaces that invite viewers to pause and reflect on their own identities.

Reflecting on the exhibition's success, curator Webson Ji remarked, “Metropolitan Art Atelier's booth not only achieved a high level of academic integrity but also addressed the commercial aspects essential to promoting these artists. As one of the few organizations actively supporting Asian artists, they have created a bridge for Western audiences to engage with the richness of Asian art.”

Metropolitan Art Atelier co-founders Qingyang Xu and Ming Li (Raymond) expressed their concerns about being the only booth truly representing Asian art at Art on Paper 2024, an international fair featuring over 100 galleries and attracting tens of thousands of visitors and collectors each day. This highlights the need for a broader conversation about increasing diversity in artistic representation. Looking ahead, they hope to see a more substantial presence of Asian art in future exhibitions and anticipate the rise of Asian collectors as an increasingly influential force on the global art stage.

The partnership between Metropolitan Art Atelier and Asian Art Contemporary in this year’s Art on Paper Fair marks a significant step toward elevating Asian art on the international stage. The exhibition’s impact, both in terms of sales and critical reception, reflects a growing appetite for Asian voices in contemporary art. As the global art community continues to evolve, the challenge—and opportunity—lies in ensuring that these voices are not just heard but celebrated for their depth, complexity, and unique perspectives.

(Text and images courtesy of Metropolitan Art Atelier and Asian Art Contemporary)